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The theme is rather colorless in its simple, two-voice makeup and brevity eight measures. It has the nondescript kind of character that one hears in a piece written for beginning music students. The variations themselves are hardly inventive and display little of the genius to come.

Variations four and five do show a modicum of charm, but the primary significance of this piece may be that it was the first the composer wrote for harp.


In his ballet The Creatures of Prometheus , Beethoven wrote a harp solo for the fifth movement, this time supplying much better music. These were the only two instances he composed for harp. A typical performance of the Swiss Song Variations lasts just under four minutes.

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Six Variations on a Swiss Song, WoO 64

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    Work “6 Variations for Piano on a Swiss Song in F major, WoO 64” - MusicBrainz

    Beethoven: 50 Masterworks. Deutsche Grammophon. Beethoven: Complete Edition.

    Six Variations On A Swiss Song In F Major, WoO 64 – Ludwig van Beethoven

    Brilliant Classics. Ronald Brautigam. Beethoven: Diabelli Variations.

    Beethoven Variations on a Swiss song WoO 64 - Emanuela Battigelli harp

    Alfred Brendel. Denon Records. Christopher Kite. Meridian Records. Beethoven: Piano Variations.